Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.Do not use an Oxford Academic personal account. When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Financial support for the presentations were received from the Department for Culture, Media and Sport and the Heritage Lottery Fund.ĭAF Trucks were the transport sponsor for the UK presentations, and 14-18 NOW were delighted to partner with DAF on making this historic project a reality.Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. The two sculptures Wave and Weeping Window, were saved for the nation by the Backstage Trust and the Clore Duffield Foundation, and gifted to 14-18 NOW and Imperial War Museums.
An incredible 35 million people engaged with the programme of extraordinary arts experiences between 20.ġ4-18 NOW commissioned 107 projects in more than 220 locations across the UK, reaching 35 million people and engaging 8 million young people with the First World War. Working with arts and heritage partners all across the UK, 14-18 NOW commissioned new artworks from 420 contemporary artists, musicians, film makers, designers and performers, inspired by the period 1914-18. The sculptures are now in the long-term ownership of the Imperial War Museums.ġ4-18 NOW was the UK’s arts programme for the First World War centenary. They have been seen by over 4.6 million people. Wave and Weeping Window toured to 19 locations around the UK until 2018. Thanks to the generosity of the Backstage Trust and Clore Duffield Foundation the artworks were secured for posterity. The original installation was conceived of as transitory, however, on completion, it was agreed that the works of art at its heart should be saved for the nation. The breathtaking sculptures were initially conceived as the key dramatic sculptural elements in the installation Blood Swept Lands and Seas of Red at the Tower of London. The work was one of the most powerful memorials of the centenary and was visited by over 5 million people. The original poppies were sold raising millions of pounds, shared equally amongst six service charities.ġ4-18 NOW, the UK’s arts programme for the First World War centenary, presented the iconic poppy sculptures Wave and Weeping Window at selected locations around the UK until 2018. The installation contained 888,246 poppies, one for every British or Colonial life lost at the Front during the war. Where Are The Poppies Now was supported by The Space.īlood Swept Lands and Seas of Red by artist Paul Cummins and designer Tom Piper at the Tower of London in 2014 marked the centenary of the outbreak of the First World War.
#REMEMBRANCE POPPY TOWER OF LONDON FOR SALE ARCHIVE#
The digital map was a record of the stories behind why each poppy was purchased creating an invaluable archive for future generations. The poppies that were purchased have since travelled as far afield as the USA and Australia, as well as being taken to war graves in memory of relatives who lost their lives in the First World War. Where Are The Poppies Now aimed to reunite digitally the poppies from the installation Blood Swept Land and Seas of Red by artist Paul Cummins and designer Tom Piper, originally staged by Historic Royal Palaces at HM Tower of London in 2014.
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